Publications (2025)
Autobiography of a Performance (the87press): October 2025
This forthcoming book, written and dreamed with dramaturg+ Blue Pieta, has just been announced on Instagram by the87press.
"Established in 2018, the87press is an Asian, LGBTQIA+, and neurodiverse led publishing collective and events curator in South London. We prioritize modernism, anti-colonialism, anti-racism, and environmentalism in our print publications of poetry, fiction, and essays." -- https://www.the87press.co.uk/about-us
Pre-order link:
https://www.waterstones.com/book/autobiography-of-a-performance/bhanu-kapil/blue-pieta/9781068751592"This co-authored work focuses on five performances developed by Blue Pieta, a multidisciplinary artist, director, dramaturg and performer and Bhanu Kapil, a poet, between 2022 and 2025. A public notebook of working scores and performance writing, AUTOBIOGRAPHY OF A PERFORMANCE contains analytic depictions of shared time experienced during performance, notes on dramaturgy and applause, and thinking towards performance as a mode of inter-generational healing (borderwork). This hybrid collection studies performance as a place both unknown and emergent, the rough sketch that's always incomplete, carried over to the next performance, and always in the company of radical others of many kinds. Both writers also change roles during the course of a performance, a mode of autobiography that most closely resembles mutation. A dramaturg is also an artist, a dancer, the poet of the work. A poet stands up from the table where they are seated to enter the domain of gesture and movement. Pieta and Kapil decompress an interoceptive approach to poetry, memory and ritual awareness: scenes that can't be written, but only staged."
This Long Century (Speciwomen)
A pamphlet that appears in a box set. Perhaps ten years ago, I wrote about the sun as a thoroughfare, a conduit, something that opens and closes, on my blog. I submitted a blog entry (typed up, with an image of Olafur Elliason's Tate turbine-sun) to This Long Century, a durational project, long ago long ago. Now here is the box set. A blog entry is now a pamphlet, my preferred form. I think I love it. I think this is how I want the novel to be, a succession of pamphlets. Also, who is Banu Cennetoğlu?
RENEWAL (Prototype Press)
Beautiful broadsides of paragraphs, poems, by -- writers/artists. Mine is an Incubation chunk.
Autobiography on 40 Scraps of Paper
https://www.berliner-kuenstlerprogramm.de/en/events/for-real-for-real/
Currently installed as part of a group show at daadgalerie in Berlin. Open the makeshift envelope and there they are, the scraps, formulated from the brown and white envelopes that arrive every day, every day, every day, with requests for payment or acknowledgment of the same.
Poem for a Non-Genetic Descendant in Cormorant Garamond (illustrated by Haifei Yuan)
Tate Magazine: Poem written [for] [near] [beneath] Bharti Kher’s Weather painting
Kathy Acker's Desk: Poem written for Zurich University of the Arts (Degree Publication, OBITUARY)
"The ATLAS studio in Zurich is handling our graphic design, we’ll print on book-paper in color size 17x24cm and we will be printing 300 copies of the publication."
This is the email I sent to the editor, in lieu of a photo of the publication itself, which I have not received yet:
"Dear [ ],
I had a memory of seeing Jean Genet's obituary taped to the side of Kathy Acker's desk.
In Los Angeles.
Here it is.
Thank you for your beautiful words, and wishes, from ZHdK.
Your deadline is coming up. I am very busy after tomorrow, and so I have written this/recomposed this -- fast.
Would you like it?
Are you a poet too?
I am not sure what a poet is in this moment.
Bhanu."
An essay on mutation for Klima's Mutabilities edition
Opaque Index in Three Parts to Accompany Shahzia Sikander's Collective Behavior (catalogue contribution)
A contribution (poem) to Camera Austria
Spanish translation (by Carlos Bueno Vera) of How To Wash A Heart
https://www.rtve.es/play/audios/metaverso/metaverso-como-lavar-corazon-bhanu-kapil-rota-25-05-12-editorial/16574369/
Comments
Post a Comment
Due to misogyny, there will be no comment section.